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There is a faint pause,—so faint that Lady Rodney is unable to edge in the saving clause she would fain have uttered. Lady Lilias, recovering with wonderful spirit from so severe a blow, comes once more boldly to the front. She taps her white taper fingers lightly on the table near her, and says, apologetically,—the apology being meant for herself,— "Who got me out of the water?" asks he, lazily, pretending (hypocrite that he is) to be still overpowered with weakness. "And when did you come?" "Good gracious, Mona, whom do you mean?" asks he, aghast both at her look and tone..
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"Ah, now, that is more reasonable; now we are coming to it," says Doatie, briskly. "We 'return to our muttons.' As Lady Rodney, in a very rude manner, tried to explain to you, you will either say you are not at home, or that you have a headache. The latter is not so good; it carries more offence with it, but it comes in pretty well sometimes." "No. It will not worry me. Let us have our dance by all means," says Nicholas, recklessly. "Why should we cave in, in such hot haste? It will give us all something to think about. Why not get up tableaux? Our last were rather a success. And to represent Nero fiddling, whilst Rome was on fire, would be a very appropriate one for the present occasion." After a little while, pausing beside a doorway, she casts an upward glance at her companion. In the beginning there was water everywhere; nothing else was to be seen. There was something floating on the water, and on this raft were Old Man and all the animals..
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